Gay liberation´s activist past and pragmatic present are merely prologue to a queer cultural future, Muñoz (Disidentifications) suggests in this critical condemnation of the political status quo. Casting his vision of a radical gay aesthetic through the prisms of literature, photography and performance, the author dismisses commonplace concerns like same-sex marriage as desires for mere inclusion in a corrupt mainstream. More defiantly, he exalts the persistence of commercial sex spaces in the face of antisex and homphobic policings, and celebrates the overlay of punk and queer in performance spaces. Muñoz draws on a dynamic roster of seminal artists to illustrate his vision of a utopian queer future, from the well-known (LeRoi Jones, James Schuyler and John Giorno) to edgy artists, including homo-core punk queen Vaginal Davis, club photographer Kevin McCarty and drag chanteuse Kiki (Justin Bond). Queer theorists will find the book´s provocative thesis stimulating; lay readers unfamiliar with Ernst Bloch and the Frankfurt School of philosophy on which the author builds his argument may find it a slog.