The artistic practice of Henrik Olesen (1967, Esbjerg, Denmark) explores, with a conceptually rigorous approach, the structures of power relations and systems of knowledge, revealing some of their inherent logics, those which contribute to social and political regularisation. Olesen employs cheap, everyday materials to make collages, posters, texts, sculptures, installations and architectural interventions which critically examine contemporary culture and socially disseminated normalisations, thereby questioning quotidian conventions in family structures, the construction of identities and their historiography, the media, legal discourses, art history, and other sources.