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The exhibition suggests that the artistic production of this period - which was marked by both a growing climate of political violence and by the appearance of important technological innovations, especially in communications and transport - should not be conceived only as an inertial extension of the avant-gardes of the two preceding decades or in terms of its relationship, a particularly conflictive one, with the narratives of propaganda. The 1930s must be considered a time in which modernity is questioned and reformulated, a time that gave rise to ideas and objects that challenged the boundaries among disciplines, media and nations. Looking at the notion of encounter from a thematic perspective, the exhibition analyses how artistic creation was influenced by the symbolic and geographical displacements made, either voluntarily or by force, by the period´s artists. It tries to show how these displacements led to a rethinking of the aesthetic postulates inherited from the avant-gardes and also to discursive and narrative strategies that have survived to our days. At the same time, the exhibition puts forward a critical reflection on the use that these artists made of the mass media, while exploring the tensions and relationships they maintained with the contexts -political, cultural, institutional- in which they worked.
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